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The Alfred Cheney Johnston's Girls

Alfred Cheney Johnston was born in New York City on April 8, 1885. Johnston's father was a distinguished banker who had connections to New York City's upper class. Charles Dana Gibson, creator of the "Gibson Girl" was a family friend who encouraged the young Alfred in his art.
In 1903, at the age of 18, Alfred enrolled at The Art Students League of New York. In 1904 he transferred to the National Academy of Design in New York City then located on 109th Street. There he studied to be an illustrator. The required drawing and painting classes from the nude model which were a part of the Academy's rigorous training program would prove to have a significant influence on his later photography.
Charles Dana Gibson continued to mentor the young Johnston. "I was his protégé'...", Johnston later recounted. It was Gibson who initially advised Alfred to begin working in photography and to capitalize on it's new potential as an illustration tool.
Alfred Cheney Johnston started experimenting with photography by taking portraits of friends and fellow students attending his art classes. At this time artists who could paint portraits in oil were making a good living, particularly European artists. It's likely that Johnston's astute mentor also advised him that there was a good living to be made specializing in photographic portraiture. Alfred applied the knowledge and principles he'd absorbed from his painting classes to his portrait photography. Johnston's photographs were indeed very painterly and throughout his life many would compare his photographic technique to that of fine art painting.

Johnston graduated from the Academy in 1908 and married fellow classmate Doris Gernon in 1909. For the next seven years Cheney continued to experiment with his photography while Doris, an accomplished painter was known to do the artistic darkroom retouch work on Cheney's glass plates and prints.

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Alfred Cheney Johnston's in the 20ies.

Around 1916 Alfred Cheney Johnston's photography was brought to the attention of Florenz Ziegfeld, founder of the Ziegfeld Follies. After seeing examples of his portrait photography, Ziegfeld invited the young Johnston to become official photographer for the Follies. Cheney had one stipulation to accepting Ziegfeld's offer. He required that his name be included as a byline below every one of his photographs. Again it's quite possible that Charles Dana Gibson advised him on this. It proved to be an excellent business move because Johnston's byline brought him other commercial work for film companies and advertising agencies.

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Ziegfeld promoted his shows as "Glorifying the American Girl" and it was Johnston's job to capture Ziegfeld's vision on film. Johnston's portraits of Ziegfeld's girls became world famous. Just as his mentor Charles Dana Gibson created the "Gibson Girl", Johnston went on to create the "Ziegfeld Girl" which became the next standard of beauty for a new generation of Americans.

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Cheney Johnston had a very lucrative career with the Follies until the stock market crash of 1929. The Follies was hit hard. Ziegfeld lost all of his money and later died in 1932 as a result of the strain. Johnston continued to work commercially in NYC. However, with the loss of the Follies account it seemed as though Johnston had lost his identity.

In 1939 Cheney and Doris decided to leave NYC and bought a 15 acre rural property in Oxford, Connecticut. The reasons for the move are unclear but they may include the fact that his photographic style had fallen out of fashion and WWII was approaching bringing with it uncertainty and the rising cost of living in NYC. He and Doris converted the barn on their property into studio space for her painting and his photography.
There is little record of the photographs that Cheney took from his years in Connecticut. In 1937, just prior to moving to Connecticut, he partnered with Swann Publications of NYC and published a spiral bound art book entitled Enchanting Beauty. Although praised by critics, fellow artists and friends, the book's success appears limited.
After the war Cheney attempted to begin again in 1949 by opening a photography studio in New Haven, CT and later by opening another studio in Seymour, a small town close to Oxford, but both studios were short lived.
He joined the Hartford County Camera Club as well as the Connecticut branch of the PPANE, the New England regional group connected to the PPA, the Professional Photographers of America. He gave a few lectures and demonstrations at the yearly conventions of these organizations and also taught photography to small groups at his studio in Connecticut.

In the 1960's while in his late 70's Cheney attempted to donate his entire studio and his photographic work to various organizations in NYC and Washington DC but no one was interested or able to store it.
Alfred Cheney Johnston died in 1971, three years after the death of his wife. He died alone survived only by his cat and the remains of thousands of portraits from a faded era which had made him famous. The world of the 1970's with the Viet Nam War, rock music and fine art photography had a lock on the attention of the NYC art world and Cheney's passing went largely unnoticed. The remaining photos and negatives went largely dispersed and lost.

In this Collection, you can find a selection of more than 400 extremely rare Alfred Cheney Johnston's photos of Ziegfield's Girls and famous Hollywood actresses.

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All the pictures are in high definition and in large, printable size.
Dimensions and size of every file is described, with related thumb, in the list below.

Enjoy the Alfred Cheney Johnston's Girls!

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Alfred Cheney Johnston's photos Collection

We do not sell or reproduce copies of these photos however we do provide duplicates of the images of the Collection on a customized CD-ROM. (1)

The images of this Collection are perfectly suitable for Art Prints Photos and Posters for your Home or Office! These images are perfect to personalize Hotels, Cocktail-lounges, Restaurants, Discos and many other places too!
We will teach you, without additional charge, how to obtain large Posters and even Gigantographies from these copies of our original masters.

Sometimes is possible to find some website selling original prints of some photos by Alfred Cheney Johnston. Here is a sample we report just to let our visitors know the prices usually asked for those (very few) originals. Search for Cheney Johnston on this website:

http://www.vintageworks.net/

(1) It is possible to obtain hi-resolution digital duplicates of the images from the Collection. Those files have been made available by Romano-Archives for use in research, teaching, general interest user information, and private study.

The files are available on a customized CD-ROM.

Billing is done when the order is fulfilled. Payment instructions will follow. Normal turn around time for requests is 3 weeks. Rush (2-3 business days) is available for an additional fee of 40 Euros. Romano-Archives will provide up to 100 (or about 25% of this Collection) images to a single requesting party.

The fees for licensing these files depend on the license parameters required and iare available via email.

If you have any questions about the fees or want to know about other digital multimedial Collections available at ROMANO-ARCHIVES, please contact Vincent Romano.

You can also submit requests of duplicates of the images from this Collection right now to Vincent.

All the material in the Romano-Archives Collections is in the public domain and has no copyright attached to it. Only exception are original articles or texts published on this Website and the Romano-Archives' original compilations on CDs or DVDs that are subject to copyright.
Material of the Romano-Archives Collections is made available solely for historical research and educational purposes only. Any trademarks appearing on the material are the sole property of the registered owners. No endorsement by the trademark owners is to be construed, nor was any sought. The products, brand names, characters, related slogans and indicia are or may be claimed as trademarks of their respective owners.

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